Award-winning gospel singer Osinachi Joseph Egbu, popularly known as Sinach, is embroiled in a legal battle with music producer Michael Oluwole, also known as Maye, over the global hit song Way Maker.
The Federal High Court in Lagos heard the ₦5 billion lawsuit on November 27, 2024. Oluwole claims he played a crucial role in the creation of Way Maker, released in December 2015. According to him, he recorded, mixed, and mastered the song and contributed key instrumental elements, including the piano, strings, and synthesizers. Despite this, he alleges that Sinach has kept all earnings from the track without proper compensation.
Oluwole is seeking damages, a share of the song’s profits, and formal recognition of his contributions. He also wants a court order to prevent unauthorized use of the song.
Sinach’s Defense
Sinach maintains she is the sole creator of Way Maker, asserting that she wrote, arranged, and performed the song independently. Her lawyer, Emeka Etiaba (SAN), argued that Oluwole was hired solely to mix and master the final track for $300 and has no legal entitlement to royalties or copyright.
Dispute Over Lack of Contract
Oluwole’s lawyer, Justin Ige, contends that the absence of a formal contract between the parties strengthens his client’s case under Nigerian copyright law. Without clear agreements, contributors can claim rights to creative works, potentially bolstering Oluwole’s position.
Industry Implications
This lawsuit has ignited discussions about intellectual property rights, fair compensation, and the critical need for formal contracts in creative collaborations. With Way Maker being one of Nigeria’s most internationally recognized gospel songs, the outcome of this case could have far-reaching consequences for the country’s music industry.
The case continues, as stakeholders closely monitor what could become a landmark decision in Nigeria’s legal and creative landscape.